Tuesday, September 17, 2013

The 66 Chevy Nova Blues

We come to a milestone in the countdown: guest slots. Tonight I'd like to introduce Dugym Qycfyl (pronounced duggum quick fill) as a songwriter who will be collaborating with Knees Calhoon for several songs coming up. Dugym writes the lyrics and Knees adds the music. Just like Rogers and Hammerstein or Abbot and Costello.

How did this magical pairing come about? One day back in the 90s or so Dugym dropped off on my desk a folder of song lyrics he had scribbled overnight. This was one of the first that I recorded and it has one of my favorite effects -- singers who can't hear each other. It's like having Don and Phil Everly in separate rooms when they sing -- and they have to guess at each other's phrasing. 

It was only later that Knees discovered that there was a short story to go along with the song. Read all about it below.


I spill out a gallon of reg'lar
  Fillin' up my Nova at the pump.
Got me an old dead battery.
  Now I'm just waitin' for a jump.
So I roll me up some sensemilla
  Just to pass the time away.
I light up with a match from my pocket
  And step up to the winder to play.
Well I drop that match and it lands in the gas
  And the whole damn station blows up.
The fire engines come and they put out the fire
  And then I'm talkin' to a cop.

He asks "What happened?" and I tell him "Don't know--
  I was just here fillin' up my Rolls.
When for no good reason the gas catches fire and
  The whole damn station blows."
Now I don't think he believes me, 'cause I'm greasy
  And I'm dressed in blue jeans.
He asks me what I've been smokin' and I ask him
  Just what he means?
And he says "Now don't get smart, kid,
  Or I'm gonna have to take you in."
And I ask "Oh yeah?" and he says "You bet."
  And he belts me smack on the chin.

I drop like a sack of potatoes
  And I lay there lookin' up at the cop.
And he reaches out with his taser
  And zaps me--so I ask him to stop.
He laughs and says “I don’t think so, kid,”
  And reaches out to shock me some more.
So I jump up and get him in a headlock
  And smash his face to the floor.
That just makes him pissed so he pulls out his stick
  And pokes me once or twice in the groin.
Then he slaps on the cuffs and reads me my rights
  And asks, “Kid, you know where you’re goin’?”

And I say “Yeah, I know. But you’ll never make it stick.”
  And he says, “Now, watch your head.”
But they do make it stick, and the judge says twenty years
  And now I wish I was dead.
That damn old 66 blue Chevy Nova
  Was just more trouble than I need.
I shoulda fixed the leaky gas tank.
  I shouldna lit me up that weed.
I guess I just wasn’t thinkin’
  ’Cause the sign said “No smoking here.”
But to go to jail ’cause I didn’t read the sign
  Well it just don’t seem quite fair.

So I sit behind bars and I watch TV
  And I wait for my sentence to end.
And if I stay out of trouble and act real good
  I’ll only do five or ten.
But they won’t let me have no matches here
  And I can’t get my hands on no pot.
When you’re in a Federal prison for arson
  You just got to sit and rot.
But man! that blaze was a beauty!
  I think I’d like to see it again
So I’m learning all I can about ’splosives
  In the library here in the pen.


  
Dugym says this song was inspired by Knees Calhoon's 1959 Pinocchio Timex Blues, but unlike that song which was made up out of whole cloth, this one is about a real car and a real event. If you'd like to read the whole story, here it is.

NOTE: The following is a PDF of the 10-Cent Book Ramble House published back in 2004. It's no longer in print so why not enjoy all THREE of the short stories in it? There's even an introduction that tells you quite a bit about Ramble House and its genesis. 



Jacket design by Gavin L. O'Keefe

Monday, September 16, 2013

J.D. Salinger's Pretty Mouth and Green My Eyes

This is a blatant attempt to get hits by dropping a name that has been in the news recently. I even changed the title, which used to be "Night Caller" or "I Can See It All Right Now", to the name of the short story that inspired the song. J.D. Salinger is getting a revival of sorts thanks to a biography and since I recently recorded an updated version of the song I decided to cash in on the publicity.

 (2013 edition of "Night Caller")

The original Rambler version of this song, recorded in 1993, is here. You can also hear the Calhoon Brothers play it at the Las Cruces Inn back in the 70s..


Monday, September 9, 2013

The Man with the Plastic Skull

Here's the story: 

A guy named Harry Stephen Keeler wrote many books and they're so interesting a society of Keelerites was formed and for the past decade or so has encouraged its members to write short pastiches of Harry's style. Apparently I recorded an audio version of one of mine back in 2001.



  
Chapter I

A Disturbing Telegram

Philo vunPtaffholster leaned back in the specially-designed car seat of his brand-new 1960 Metropolitan convertible and once more regarded the telegram that had just arrived from Mora Bora, informing him that like it or not, he was not the only man on the planet with a plastic skull!
He was on his way to spend an hour or so with the most beautiful woman in the world—bar none!—and now, as he pulled out of his driveway into the slow-moving 5 p.m. traffic, he began to read the message from the far off Pacific that threatened to strip him of his fame, his fortune, and more importantly, the most beautiful woman in the world—nuff sed!

MORA BORA 5:13 a.m. JULY 5, 1960

FROM: DWIL SPROCKET
TO: PHILO VUNPTAFFHOLSTER

PHI, OLD FRIEND, I’VE GOT BAD NEWS. A NATIVE OF MORA BORA, ONE MANUEL AMANO, IS GOING TO REVEAL TOMORROW AT HIGH NOON THAT HE TOO HAS A PLASTIC SKULL LIKE YOURS.

Philo swerved around an 18-wheeler that was making a wide right turn, then drove on.

NOW, AS YOU KNOW, YOU’VE MADE QUITE A NAME FOR YOURSELF IN PAST YEARS AS “THE MAN WITH THE PLASTIC SKULL”, EXHIBITING YOURSELF IN TRAVELLING MOTOR­CADE CIRCUSES, ALLOWING PEO­PLE TO FEEL AND MANIPULATE YOUR NON-RIGID SKULL.

A car in the right lane cut Philo off and he had to slam on the brakes, sending the car into a tight, well-controlled spin. Straightening out, Philo once again turned to the telegram and drove on.

I’VE MANAGED TO FIND OUT THAT THE OPERATION ON AMANO WAS PERFORMED BY A DOCTOR WESLEY TOOTH­WELL, WHO PRACTICES AT PEPPERDUKE UNIVERSITY, JUST DOWN THE ROAD FROM WHERE YOU LIVE IN NORTHEAST CHICAGO. HE’S A, WHAT DO YOU CALL IT, BONE SURGEON.

Philo pulled into a service station and told the attendent to fill’erup. The attendant gave a toothy grin and shuckled, “Gawsh, Mr. vunPtaffholster, anytime!”
“How did you know my nam—” Philo shot back, but immediately realized his mistake—he was one of the most well-known and beloved circus performers in the Tri-State area.
“Wa-all, Mr. vunPtaffholster, it’s writ’ raght thar on th’ sida yer car!”
“That’s right,” Philo thought, “I forgot that I had a sign painter come over and paint:


PHILO VUNPTAFFHOLSTER
“THE MAN WITH THE PLASTIC SKULL”
A Circus Near You


on both sides of my car.” He paid for the gas, got back in the convertible, and picked up the telegram as he started the car, and drove on.

THERE IS MORE TO TELL YOU BUT THESE TELEGRAMS ARE, WELL, EXPENSIVE. I’LL WRITE YOU A LETTER AND SEND IT TO YOU VIA THE U.S. MAIL.

A policecar pulled up alongside the Metropolitan, which was going about fifty, and the policeman who was riding shotgun held his billy club up and, through the closed window, thumped it against his gloved left hand once, twice, three times, all the while gazing at Philo with a sleepy grin on his face. Philo winced, and felt the skin on his hump loosen. He knew what those three thumps meant—the third degree! Then he saw the cop’s eyes drift down to the sign on the side of the car, and the cop’s face went ashen. He yelled at his partner to speed up and to Philo’s astonishment, the policecar sped on ahead and was soon out of sight.
Philo breathed a sigh of relief and resumed his telegram-reading. Once again he drove on.

I GUESS THAT’S ABOUT IT, PARTNER.

                                          DWIL

Philo put down the telegram and thought about the implications of another person having a plastic skull like his. And how? Philo had always been told that it was ol’ Doc Winkerdoll that had saved his life by removing his heavily radar-active skull back in 1954, replacing it with a skull prosthesis made from Plastene, a new form of plastic the doctor had invented, a form that was actually more like a soft rubber with incredible tensile strength. It wasn’t the whole skull, but just the bowl-shaped top part, from the tops of the eye orbitals up.
But ol’ Doc Winkerdoll was killed not long after per­forming the operation, and never revealed the secret formula for Plastene. He left a note saying it was hidden in a 2-inch Plastene sphere, but the four government agents who killed Winkerdoll searched every inch of his office and home and never found it.
At this point in his ruminations Philo pulled into the posh driveway of the Smith-Smythes, where dwelt the most beautiful woman in the world, Confessa Smith-Smythe.


Chapter II

Confessa Worries!

Confessa met him at the door as she always did, giving him a warm kiss while rubbing his hump for luck. But she had a look of worry on her pretty face.
“Oh, Phi, oh Phi, oh Phi,” she bewailed, “I’ve just had the most dreadful news!”
“Me too! You first,” Philo countered.
“Well, you know that Daddy has had some bad luck in the market lately, and he just found out that unless he pulls a big score with Plastene, Inc. the company that you and he started in anticipation of the day when the formula is found, he’s dead broke! And you know we can’t get married until he can afford to pay for the lavish wedding ceremony!”
“Gosh, Confessa, that is bad news. My news isn’t quite so bad, but it’s sort of in the same category. I just found out that there is another person who now has a plastic skull, and that may put a damper on my circus career. As the only man on earth with a plastic skull, I was quite a draw, but with this Amano guy—”
“Oh Phi! What are we to do? You’ve always been so resourceful. In fact, it was because of your hump that Daddy was happy for us to become, well, an item. He always said, ‘If a man can grow up with a handicap like a huge hump on his right shoulderblade, and still not be bitter with the world, that man is good enough for my daughter!’ Of course I've come to love you in spite of your hump—although it does get in the way of our lovemaking sometimes and I do wish it could be removed—but that’s not to mention your brave experience with your radar-active skull.”
“We-ell, Confessa, I feel the same way about your father. As for my skull, you remember how I discovered back in 1954, quite by accident one day when I wandered too near an army air force installation, that my original osseous skull was hyper-sensitive to those new-fangled radar waves used by the military since WWII. I got an excruciating headache that knocked me out and it was only through the good luck of being found by Ol’ Doc Winkerdoll that I survived. Apparently, the radar waves caused my skull to contract, giving me the horrible headache. So he removed the top of my skull and replaced it with a Plastene facsimile. I was in a coma for a month afterwards but came out of it in good condition.”
“Oh, Phi, if only he had told you what he did with your old skull, we might be able to help Daddy. I've heard that the military and the police are very interested in any material that can detect radar-waves. Of course it’s obvious why the air force wants it, but—”
“—Why would the cops want it? I know what you mean, Confessa, it’s a real mystery.”
He pulled her close to him for another kiss, then snapped his fingers. “Hold it! I just had an idea. Can I use your ’phone?" He reached for the telephone and dialed 0. “Operator, connect me with Professor Wesley Toothwell at Pepperduke University!”
A few minutes later a voice answered. “Toothwell here.”
“Doctor Toothwell, my name is Philo vunPtaffholster. Did you just perform surgery on a Mora Boran native, giving him a plastic skull?”
“Why, yes, I did. Did you say, ‘vunPtaffholster?’ ”
“Yes I did. I’m the original Man with the Plastic Skull. Er—ah—did you use Plastene for your skull?”
“No I didn’t, Mr. vunPtaff—”
“Just call me Philo, please.”
“Thank you, Philo. No I didn’t use Plastene. As you know, the formula is still unknown and the Plastene in your head is the only bit of it known to be in existence.”
“That’s right, Doctor. May I ask two questions? One, is the man you operated on planning on travelling around, exhibiting his skull in circuses? And two, was the operation difficult? I mean, would it have been easier if you had had some Plastene to work with?”
“Well, Mr. vunPtaff—er, Philo, the answer to your first question is, absolutely not. Mr. Amano has an abject fear of circuses, especially clowns, and wouldn’t get near a circus. In fact, he leaves his village in Mora Bora whenever a circus comes to town, and lives on another island until the carnies leave town for good. As for the second question, the answer is yes, yes, yes, and double yes, yes! The qualities of Plastene, as exhibited by the hundreds, if not thousands of circus-goers who have seen and manipulated your Plastene skull, show that it is a much better material for skull-fabrication than the hard bakelite I used. The formula for Plastene, when it is finally found, will make mill—”
“That’s what I wanted to hear, Doctor! I think you’ll be hearing from me again—sooner than you think. Thanks for everything!” With that Philo hung up the phone and turned to his Confessa. “Darlin’, I think I've got the answer to all of our problems!”


Chapter III

All Strings Tied Up

Bong Hai, leader of the tong, the Fat Black Lemurs, leaned back in his papa-san chair and tamped down another bowlful of his tong’s best brand of opium. He lit the pipe and took a long, slow pull, gazing at the wall as if it were ten miles away. He set the pipe down and settled deeper in the chair, then reached up and rubbed his skull vigorously with his hands. He pushed with both hands, squeezing the sides of his head until they receded about an inch. Then he pushed the top down, squeezing the sides out. He had a plastic skull!
The sensations Bong Hai felt as the inner side of his Plastene skull rubbed against his brain, even moving it a bit, were exquisite. He simply could not describe the pleasures to anyone who did not have some good opium and a Plastene skull.
He thought about how he got his new skull. His photographic memory had it all down in detail and the opium was making it seem especially real. His lips mumbled soft words as he drifted into the warm, rolling clouds of nepenthe.
“It began wi’ that ’Melican fella, vunPtaffholstel. He velly smalt. He have filst plas’ic skull. He got skull in fi’ty-fo’ because he fin’ his skull contlac’, get smallel, w’en he get neal ladal.”
Bong Hai chuckled to himself at his pitiful attempt to say “near radar”. And drove on.
“But he luckily foun’ a bone sulgeon docta’—fella name’ Winkeldoll—who lemove skull an’ leplace it wi’ Plastene. Docta’ also hid folmula fo’ Plastene at ’loun’ same time. Folmula not foun’ until day six yeals latel, w’en vunPtaffholstel get blight idea w’ele it be. He kill two bilds wi’ one lock! He fin’ folmula fo’ Plastene an’ fin’ his ol’ skull w’ich contlac’ w’en neal ladal. All in same place!”
The wizened old tong leader smiled to himself as he continued to manipulate his Plastene skull with much pleasure. His softly spoken ruminations continued.
“He get bone docta’ name’ Toothwell to op’late on his hump and he fin’ that oliginal docta’ name’ Winkeldoll, aftel lemovin’ skull an’ leplacin’ it wi’ Plastene skull, also lemove hump an’ leplace it wi’ oliginal skull! T’en he hide folmula ball inside skull-hump! Why? Because he know govelnment agents wan’ to kill him fo’ bot’ seclets an’ will sealch offices flom A to Izzald.”
He took another pull on the opium pipe and continued to manipulate his Plastene skull, which he got at the Chicago Center for Frivolous Elective Surgery, or CCFES. Once the formula was released by Plastene, Inc. to much public hooplah and unheard of investment by the stock market class, Bong Hai, thanks to his huge fortune amassed from opium sales, was one of the first to receive a new skull.
“So much pleasule I get. Make me glad vunPtaff­holstel get lich flom Plastene, get lid of hump an’ mally sweethealt, an’ sell impoltant ladal-sens’tive skull to militaly so they can tell if ladal bein’ used ’gainst them.”
Bong Hai’s eyes glazed over with extreme joy as he mumbled one last question.
“Nevel did figule out w’y cops wan’ed ladal-sens’tive matelial. Cops nevel use ladal ’gainst own cit’zens, would they? Aftel all, ’tis ’Melica, lan’ of flee, light?”


I heartily recommend googling "Harry Stephen Keeler" and reading one of his many books. To discover more -- much, much more -- check out Richard Polt's Harry Stephen Keeler Society. Here's what the Wall Street Journal had to say.



What? No music? Okay, how about a song from 1968 recorded at an Enlisted Men's Club music room at Redstone Arsenal, Huntsville AL. Rick Murphy on piano, Peter Blue on comb, harmonica and vocals, Fender Tucker on guitar, Chris Clements on the tape recorder, and John Lennon (a Colorado skier), Rockee Blue and Joyce Butler as the crowd. It was the first of the two times they played together. 

(c)1968 by Toehold



 

Saturday, September 7, 2013

Rest in Peace

I'm sorry, but Buffy the Vampire Slayer was one of the best shows ever on television and the musical episode, "Once More with Feeling" is a masterpiece of musical storytelling. Since I had the sheet music for the episode I decided to do one of the excellent songs that Joss Whedon wrote, and Spike's song is probably the only one I could sort of do justice to. 


All of the episodes of Buffy are on Netflix. The lyrics of the songs in this episode may not mean much to you but the music and production is highly recommended. Check it out.

Tuesday, August 13, 2013

Rose of Cimarron

This is one of my favorite Poco songs, one of many. Poco perfectly captured the rock side of "country-rock" that began with the Flying Burrito Brothers and the Byrds and we used to do several songs by them, even ones that a three-piece band probably shouldn't have attempted.


And if you'd like a little trip back to the Las Cruces Inn on June 30, 1978, here's what the bar sounded like.


Good times! Mark Coker is playing guitar and singing the lead. Randy Miller is on drums and I'm on bass and harmony. I could listen to Mark Coker's smooth voice all night long -- and I did, back in 1975 - 1987. He still plays in Las Cruces with his one man band. He plays guitar with his hands, bass with his feet (organ foot pedals), and uses an electric drummer and harmonizer. Why divide up the money? I always played in three-piece band for money reasons and Mark simply has taken the strategy to its logical end. I do the same thing here in Vancleave, but only you unlucky folks out in internetland have to listen to it.

Monday, August 5, 2013

Tradewinds

This is probably one of those songs I have no business doing but I haven't been recording much lately and this was on my mind. I couldn't remember where I'd heard it but googling showed me that it was Roberta Flack from 1972. I'm sure I've never heard Rod Stewart do it.

It has a great melody, chords and lyrics and the songwriters, Ralph MacDonald and William Salter deserve a hand. I'm not so sure about my weeping guitars. I planned on doing them over the next day, but you know how that always turns out -- I can't get in the groove again and end up settling for the first version.

Sunday, June 30, 2013

Faithless Love

Tonight's song is one that my daughter and I used to play on the piano and sing back in Las Cruces. I guess we learned it from the Linda Rondstadt version of the song written by J.D. Souther. Band in a Box is playing the drums, bass and one of the pianos and I planned on adding a sweet, melodic, clean guitar over it, but I found out that if you go for years, if not decades, not playing regularly you lose the ability to play clean, melodic licks for a whole song. So I moved over to the keyboard (which has been not played regularly even longer than the guitar) and played some arpeggioed chords. Maybe the quality of the song itself can carry my lackluster rendition.

 

Saturday, June 22, 2013

Dead Man

This is a song whose time has come -- to be yanked headfirst from the grave where it has languished for the past 40 years. The Calhoons used to do this song in the early years. It was a holdover from Knees' time in Durango where his band did a lot of Asleep at the Wheel. The Texas band was perfect for integrating the bars of Colorado and New Mexico because the Bob Wills swing sound pleased the cowboys and the hipness of the lyrics satisfied the hippies.


I would think the tune would kill on THE WALKING DEAD. And out of the 900+ zombie movies that have been made so far, at least one of them ought to have this being gurgled by a zombie band in a C&W bar.

Let's travel back to New Years' Eve of 1976 and usher in 1977 with the Bros. Hopefully the scene got wilder as the midnight hour approached.  




 

Wednesday, June 19, 2013

You and Me Instead

I wanted to see if I could still dash off a song a night as I was doing a couple of months ago so I picked one that was easy and I knew, a little late-night ditty by Asleep at the Wheel. We used to do this at the Las Cruces Inn back in the early days of Knees' Las Cruces career. 


What makes this song extra nostalgic is its lyrics, where the singer keeps saying "with you and me instead". In this day and age, any modern singer would sing "with you and I instead". The world may be more democratic than ever, but the people you see on TV are much stupider.

Let's sit back and listen to what the Mighty Calhoon Brothers did with this song back on September 18, 1976.

Saturday, June 15, 2013

I'm Alone (But That's Okay)

I've taken a vacation from music lately, mainly working on books. But when a song comes along that catches my ear -- even though I am not listening -- it means that it's an extraordinary song. Written by Christopher Guest and sung by Ron Sexsmith, it's the end theme song from the HBO show, Family Tree. As soon as I heard the song I knew it was a song that I had to do for the Ramble.

But it's so short. It's perfect as an end theme and at one minute in length says what it wants to say and ends. The performance by Sexsmith is absolutely beautiful and I feel a little sheepish about making the song a little longer and more Calhoon-like. With only a guitar and a weird organ or something, the original has more soul than my drums, bass, guitars and harmonizer version. If you like the way it sounds when I sing it, you really should hear the original. It's fantastic.

Sunday, May 12, 2013

Get Together

I spent the weekend at Clark County Park in Mississippi along with about 100 of my wife's mother's family. It was peaceful outdoor living and at the big Saturday night get-together I figured this song by the Youngbloods might fit the occasion. I planned to set up the harmonizer and wow the relatives with the ghostly voices that would come at the stomp of a pedal but I had too much to think about just remembering the words. So this is a slightly more competent version of the song than the 100 Hillmans heard me warble on Saturday night.


Jocco Rushing sang a couple of excellent blues/gospel songs and then we fumbled around wondering what to sing and came up with an uninspired Peaceful Easy Feelin'. The next day on the way home I of course thought of a perfect Knees Calhoon song for the occasion that I should have done. This would have gone great with the rainstorm that was going on outside. For the Hillmans who somehow find this page, here's the song I should have sung. Unlike the Eagles song, I actually know the words to this one.

Saturday, May 4, 2013

Casey Jones

Today's song is typical: I recorded it in a couple of hours late one night then went to bed thinking, "Well, that one needs to be done over again with all of the rough spots done right." Then the next day I try to redo some of the tracks and I realize that I'm in a totally different mood and there's no way I could do them better. That's when I decide to just stick the song up at the Ramble and move on.


One of my favorite Grateful Dead songs, I actually have a recording of the Mighty Calhoon Brothers doing it at the Las Cruces Inn on September 30, 1978. I have a feeling that it was the only time we ever played it. It must have been a slow night at the bar because judging by the song list for the night, we did a lot of songs that night that I don't remember knowing. Would you believe God Only Knows by the Beach Boys? Play That Funky Music? Mark even sang Funny Little Clown by Bobby Goldsboro. It must have been a hell of a nostalgic night at the Las Cruces Inn.

  

Sunday, April 28, 2013

Ring on Her Finger, Time on Her Hands

Part of my reason for covering songs on this blog is to make sure that certain superior tunes don't get forgotten in the fog of time. I had almost completely forgotten this song from 1982, but it's really one of the most original songs of its time. It has decent words but where it really shines is in its chords. This song is full of suspended 4ths and 2 chords (both my favorites) and it has an almost mathematical buildup of suspense because of them. In addition, the melody spends less time on notes IN THE CHORD than any other country song I've ever heard. All in all a great melody over great chords.



By the way, the main reason I put songs up here at the Ramble is therapy. Nothing makes me feel better after a day of spinning my wheels than a simple music project that takes about 2 hours and ends up with another song.

The song was sung by Lee Greenwood in 1982 and by Reba McIntyre in 1996. It was written by Don Goodman, Pam Rose and Mary Ann Kennedy. 

Wednesday, April 17, 2013

Hot Dusty Roads

For a change I decided to do an old song that I know. Lately I've been working on some new songs that have videos to accompany them and everything in the video world moves slowly. I bought a new camera today and that should solve that bottleneck. But in the meantime, here's an audio quickie by Buffalo Springfield.


Knees was probably thinking of this song when he wrote the contrarian tune Midnight Sun back in 1977.

Saturday, April 13, 2013

Candy Man Yo Sweets Are Mighty Fine

Credit for inspiring this new song should go to Robin Harbron and his Canadian friends. Robin invited me to join his group, which records and videos songs every month, and the project for April of 2013 was to do an original song that had somehow fallen through the cracks and never been recorded. I just happened to have a song that fit that description, one that Knees wrote back in 67 or 68 when he was in the army. It was obviously his version of "Waitin' for My Man" by the Velvet Underground, and he gave the song the first melody that occurred to him when he saw the words again after 45 years.

(Audio)


CANDY MAN YO SWEETS ARE MIGHTY FINE
(Video)



I’m needin a speeding
Don’t let me down Candy Man
I’m flyin high now so do the best you can
Comin down time is comin up soon
So open up your bag and shoot me to the moon
Candy Man, yo sweets are mighty fine.
 
I’m sighin while I’m flyin
But tomorrow is another day
It’s all such a groove
You know it’s the only way
But livin ain’t easy when you’re straight as the man
So lay me five dolls right here in my hand
Candy Man, yo sweets are mighty fine.
 
Candy Man, travel agent
I like what you sell to me
Candy Man, secret agent,
I like what they let me be.
 
I’m flyin high now, flyin up with the birds
Flyin so high I don’t even know the words
My tongue’s keeps tumbling inside my mouth
You came through, that’s what it’s all about
Candy Man, yo sweets are mighty fine.

Tuesday, April 2, 2013

Sin City

Written by Chris Hillman and Gram Parsons of the Flying Burrito Brothers, this has always been one of my favorite harmony songs. So of course I overdo the harmony in this quickie version.


Back in the 70s at the Las Cruces Inn, Kathy Delaney used to sing this with us and I happen to have a recording from February 18, 1979 of Kathy and me channeling Emmy Lou and Gram.

Monday, March 25, 2013

Look Through Any Window

One of my favorite Hollies tunes, this song was even played at the Las Cruces Inn a few times, but unfortunately was never recorded. I often wonder what visitors to Las Cruces thought about the odd, obscure R&R songs the Calhoon Brothers would play at what was, let's face it, a cowboy bar. Then there was the year we had a strobe light . . .



Sunday, March 24, 2013

July's Not the Hottest Month in Oz

It was back in 2012 that Knees joined a group of Canadians on Facebook and YouTube to make some music. It had been almost ten years since he thought about music very much. The group of about a dozen people was called the Cover Album Project Band. Each month they would do some recording project, usually covering all of the songs on a classic album like Revolver by the Beatles, Harvest by Neil Young or Joshua Tree by U2. But the project for February was a special one in which we were to write original songs about a month of the year (July was randomly selected for me) using the chord pattern: I  V  iv  V  or  D  A  Bm  G. 

I was leery of getting back into songwriting after 10 fallow years but I figured with the chords dictated I should be able to knock this off in about 15 minutes. As always I grabbed the first thing that fell out of my mind, in this case, a heat wave in Australia. Then I laid down simple tracks. Nothing to it. Like riding a bicycle.


There's even a video!

When you find yourself in a sweat
Crank up the AC and take off your clothes
When it's too hot for even your pet
Remember it's summer and the world is a globe.

There's a place where toilets drain weird
Where the desert is north and the devil is south
And you won't feel like shaving off your beard
So cheer up my friend don't be down in the mouth

July's not the hottest month in Oz
In fact it's the month when the kangaroos roam
July's not the hottest month in Oz
So find you a wallaby and give it a home

July's not the hottest month in Oz
I can't wait to see those kangaroos roam
July's not the hottest month in Oz
I recommend a wallaby to spruce up your home.

July's not the hottest month in Oz
July's not the hottest month in Oz
July's not the hottest month in Oz




 BONUS COVER!
There are still 25 songs by Knees and/or his colluders left till the big day but I've decided for each of these last 25 nights I'll include one of Knees' better cover recordings down here at the bottom of the page. Why not? Some are actually pretty good.

Grateful Dead

Saturday, March 23, 2013

One Tree Hill

This is a real departure for Knees. A song by U2! He considered it a "modern" song until he realized that it came out over 25 years ago. The instigation for the song was his joining a Facebook group that likes to do musical challenges every month, like covering all the songs on a classic album. For March the album was Joshua Tree by U2 and the song I picked was One Tree Hill. I had never heard it, or any of the songs on the album, before. It's easy to be musically ignorant when your only exposure to popular music is the time spent in Taco Bell waiting for volcano tacos.


My take on U2? Excellent singing by a guy with a voice to rival Don Henley's. They apparently know how to generate a truly hypnotic beat. I'm afraid the best I can do on modern songs like this is a Pat Boone version.

There's a video of me singing this song on Youtube and Facebook. Gawd help us all.

Tuesday, March 12, 2013

Bad Weather 2012

I had forgotten about recording this 1985 Knees Calhoon tune until I spotted the file. It must have been one of those late-night Ambien-induced sessions. It's probably the least subversive of all the Calhoon tunes and is kind of a travelogue of Knees' meanderings.

 

Friday, March 8, 2013

The End of the Innocence

I have a relatively cheap electronic piano that was out in a trailer in the back yard because there wasn't enough room in my office for it. But I moved some things around and now the piano, a Casio WK-200, is next to my recording stuff, ready to be used in songs. This is the first one that came to mind, mainly because the piano part is not too difficult. I haven't played the piano in over a year.


When I first heard this Don Henley/Bruce Hornsby tune back in the late 80s I thought it was quite profound and catchy, especially the piano riff. When I figured it out I realized why. It's full of 2 chords.

2 chords, or mu chords according to Jeff "Skunk" Baxter, are what gave The Mothers and Steely Dan their sound. You play a 2 chord by simply adding a 2 note to the 1 - 3 - 5 of the major chord. You add D to a C major chord. When I played piano in a lounge back in 1982-83 I found that I rarely played a regular major chord. I always played a 2 chord.

A slow, odd phrasing of the Buckaroo lick appears in this song, except now it's on the piano, not the guitar. 


Tuesday, March 5, 2013

My Old Friend Fred 2013

This song has two distinct versions: the early one recorded in 1993 that's a C&W waltz and the R&R version in 4/4 time, done in 2013. I need to add another instrument to the R&R song but my minimalist guitar is so solid I can't think of what to add. If I went into a bar and heard this song, I would pay close attention. It's got a story, a lesson, a moral and it features a porn theater (remember them?)


THE C&W version has a florid history and was played a lot at the Las Cruces Inn. Since it's a rather long song (it has to be to get in all of the plot) it's probably better as the much shorter R&R song.


Written: Page AZ 1973

Knees wrote this song late one night in a motel in Page AZ in 1973 after ingesting what he was told was powdered THC. Whatever it was, it was incredible and he wrote the song in about an hour. The next day he went out on Lake Powell in a super speedboat (as a passenger, not the driver) and amazed himself by being able to remember all of the lyrics, probably because the song tells a story.

Well I know this is a bar an everbody’s drinkin

But an ol friend of mine just set me to thinkin
That mebbe we oughta try somethin else.
So if you just settle back an listen a spell
You’re liable to hear an educatin tale
About sex, booze and ourselves.

Well I was up in Denver bout two weeks ago
Wudn’t doin nothin thought I’d take in a show
So I parked my car an started walkin
The first show I came to was just my style
Triple X-rated called “Everthing’s Wild”
A whole buncha sex an not much talkin.

An on the poster I saw the name
Of a guy that I used to know
Ol Fred always said he was gonna make it big
An sure enuf he’s the star of the show.

So I paid my admission and went inside
Bought me some popcorn an a four dollar Sprite
Then I saw somethin that stopped me dead
Well remember I tole you a little while ago
About my ol friend who’s the star of the show
Well there, the projectionist was Fred.

We must have talked for an hour or two
Bout people and places like ol friends do
Relivin good an bad memories
An I wondered how Fred had sunk so far
When a few years ago he was a big porno star
So I axed him and here’s what he tole me.

Put the blame on the whiskey and wine;
They sucked the man outa me
I once had the world spread before my very eyes
But the bottle was all I could see.

So alla you people gathered in here
Guzzlin your whiskey, your wine an your beer
Remember bout my ol friend Fred
Well here was a man who had all he could handle
Till somethin took the wick right outa his candle
An that somethin, here’s what Fred said

Put the blame on the whiskey and wine
They sucked the man outa me
I once had the world spread before my very eyes
But the bottle was all I could see.

Well I know this is a bar an everbody’s drinkin
But an ol friend of mine just set me to thinkin
That mebbe we oughta try somethin else.


Why not? From April 21, 1977 at the Las Cruces Inn.